The Royal Danish CollectionAmalienborgThe PalaceInterior and objectsFrederik VIII's study
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Frederik VIII’s study

Frederik VIII’s Study was furnished towards the end of the 1860s in the so-called Renaissance Revival style, which was very much in fashion at the time. The room is a comprehensive and coherent example of masculine interior design as it looked at the time. The heavy furniture together with the imitation golden leather on the walls and the coffered ceiling contribute to the, to put it mildly, old-fashioned atmosphere.

The room is characterised by yellow and red, intended to associate to the House of Oldenburg line of the Royal Family, which had a few years earlier died out with Frederik VII. It was important for the newly arrived House of Glücksburg to underline their kinship with the House of Oldenburg, and here they did so through the conscious use of the Oldenburg colours. A statuette of Christian IV, the best known king from the House of Oldenburg, also serves the same end.

Frederik VIII’s study is an approximate reconstruction, since many of the objects in the room were given away to friends and members of the family after the King’s death in 1912.

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Frederik VIII, 1909

The painting of the older Frederik VIII was made by Otto Bache in 1909 when the King was 66 years old.

Frederik VIII

Frederik VIII was to have just six years as monarch which were relatively undramatic. He is therefore a slightly overlooked figure in the Danish royal line.

1900-1925

With the change of system in 1901 parliamentarism became the current practice in Denmark, and the first liberal government came to power. The most important event was the First World War, 1914-18 theat ended with a dramatically altered Europe.

1875-1900

The period was a peaceful one for Denmark. The spread of electricity and the invention of the telephone characterised the era, and industrialisation made many new things available, while the road network and the railways created new transport possibilities.

Collection history

The museum in Christian VIII’s Palace is a recent addition to Rosenborg’s royal collections, which were founded by Frederik III in the 1660s. At the beginning of the 19th century the idea of opening Rosenborg to the public arose, and in 1812 the principle, which is still current, was established that the historical interiors chronologically follow the changing generations of the Royal Family. The Danish Royal Collections was founded in 1833, and Rosenborg was opened to the public in 1838. A tour of the palace thus became a journey through Danish history from the time of Christian IV to the present moment, since there at the opening was a room furnished for Frederik VI, who lived until the following year. In 1868 a room was furnished for Frederik VII, who had died five years previously, and Christian IX was also given a room at Rosenborg in 1910. The limited space at Rosenborg was now utilised to the full, and if later kings were to be added, it would have to be somewhere else. At first Christian IX’s Palace at Amalienborg presented itself as a possibility. The palace had been left as good as untouched since the death of Christian IX in 1906, and in the 1950s Christian IX’s study and Queen Louise’s salon were preserved on the initiative of Frederik IX and Queen Ingrid. Furthermore, it was ensured that Christian X’s study in Christian VIII’s Palace, which was packed away following Queen Alexandrine’s death in 1952, was preserved. In 1956 Frederik IX created by royal resolution the juridical basis for the establishment of The Royal Danish Collections at Amalienborg. Thus in 1977 a museum for the House of Glücksburg opened in part of the ground floor of Christian IX’s Palace, but it already closed again in 1982, as running a museum in the Royal Couple’s palace of residence proved in practice to be inexpedient. After an extensive restoration of Christian VIII’s Palace the opportunity arose to re-establish the museum on the ground floor of this palace, which more than doubled the previous exhibition space. In 1994 the museum was reopened here, and remained true to the original idea: to exhibit a series of historical interiors which trace the royal generations. At the opening the museum included Christian IX’s study, Queen Louise’s salon, Christian X’s study, as well as Christian X and Queen Alexandrine’s dining room. The large exhibition space also afforded the opportunity to reconstruct Frederik VIII’s study, and more rooms were made available to the museum, which are today known as The Garden Room, The Costume Gallery, and The Golden Cage. In the 1990s the museum was entrusted with Frederik IX’s study as it had looked on the king’s death in 1972. The room was opened to the public on the occasion of the King’s 100th birthday on 11 March 1999. Since its opening the museum has arranged guided tours on the palace’s piano nobile, where you can see Nicolai Abildgaard’s magnificent neoclassical interiors, which he created at the request of Hereditary Prince Frederik after the royal assumption of Amalienborg in 1794. Since July 2013 the piano nobile has been open to the museum’s visitors every Saturday.

Crown Prince Frederik, 1867

Portrait of the young Crown Prince Frederik (VIII), painted by Carl Bloch in 1867.

Polar bear skin

The polar bear skin under the round table is placed in the study of Frederik VIII as a symbol of Greenland, as there is a polar bear depicted in Greenland's shield of arms.

Statuette of Christian IV

Bronze statuette of Christian IV, approximately 50 cm in height, placed in the middle of the central table in Frederik VIII's study.